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Produced by Bristol sound co-founder Geoff Barrow, this sharp-edged though slight debut feature casts a critical gaze on the ecstasy-fueled club scene. Venal drug user David (the actor) initially steals from an unconscious dealer, then in a later recollection tries to break into his own parents. In no time, he's upside down in the wreckage of his car in a woodland – and subject to the angry eye of the Poacher (vocalist Jason Williamson). Declining to free David, with no time for townies, he is a fractured society embodied: “You’re one of those noisy cunts from up on the heath.”

A Shaky Start and Darkly Funny Duel

Game gets off to a shaky start, spending too long on meticulously detailing David’s attempt to extricate himself from his safety harness, while clumsily segueing into flashbacks of his everyday life. The bigger point – that the ecstasy generation were primarily out for themselves – is clearly conveyed. But these brief episodes are too thin to adequately prepare us for what to expect when the Poacher turns up, enraged after David kills his dog. Still, a darkly funny duel takes hold – David eager to get away; the Poacher withholding his jerrycan of scrumpy, intent on dousing him instead in embittered discourse. Williamson, projecting ponderous menace in the role, is reminiscent of Michael Smiley.

Stylish Imagery and Promo-Inspired Vibe

There is only one important plot development, but it leads to a comically executed rampage on the woodland paths that dips close to rural terror. Director John Minton finally gets to go all in with his showy imagery: where he was focused intently doing impressionistic closeups of insects in the light in the early stages, he now lets rip with the full psychedelic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into making the leap from the UK video industry.

Game is in UK and Irish theaters from November 17.